"And many a one now doth surpass/ My wave-worn beauty with his wind of flowers,/Yet am I a poet". Ezra Pound, from "And Thus in Ninevah".
Tuesday, 19 December 2017
Three Kings.
Three Kings.
Three kings of the earth,
seeking wisdom,
met on a mountainside
beside a pool of vision.
They sat for a while and stared
until their respective kingdoms,
in watery reflection,
floated on the still water.
The first saw smoke of war,
limping trudge of amputees,
industrial smudge,
ruined cities,
mudslides covering villages,
rivers thickly stagnant,
shanty town shacks,
rising sea engulfing farming lands
and a dust covered child,
face blankly devoid of hope,
sitting alone in the bombed rubble.
Finally, he spoke.
“We must do better”, he said,
“if there is to be a future.
My role must be service.
Time is short. I must lead my people
into the best sense of what they can be.
Self-interest may be their natural state
but they have potential,
can understand great concepts
like generosity, mercy and compassion,
can act selflessly, can raise their minds
beyond the here and now
into the blue, cloud-flecked sky.
I seek revelation and vision.
My people are sheep.
Where I lead, they will follow.”
The second stared into the water.
Light rain fell on his city.
Neon lights pooled in flouro flare.
Glittering glass buildings
glowed in the night,
crowds linked arms, jostled and laughed.
Then someone staggered from a building
and reeled through the street.
In a darkened, syringe-discarded alley
someone else slumped against a wall.
“All this is mine”, he thought.
“All its wealth is mine.
All these people are foolishly weak.
They are vulnerable and easily manipulated.
I sell the image they desire.
For that they willingly surrender
to me their wealth.”
When the third gazed into the water
there rose to the surface
poised and thrusting missiles,
tanks rumbling over the sand-hills,
mile upon mile of trench
embroidered with twisted, tortured
tangle of body and wire,
armies goosestepping through streets,
refugees in flimsy boats
or imprisoned in detention centres,
the world’s new and bitter gulags.
He laughed. “Fools believe anything.
My persuasive tools are their fear and vanity.
So simple. Feed them this:
‘You are the special ones.
I give you the greatness you merit.
Enemies without would take it from you.
Enemies within would betray you.
Fear all not of your tribe.
Arm yourselves.
Build your walls.
Embrace your flag.
Those who are not for me are against you.’
In speaking thus I embrace my power
and make this people my slaves.”
Then the kings rose and went their separate ways.
Behind them, the great mountain stood darkly stern.
Above them, the mute sky was cloudless.
The pool they left was still and quietly smooth.
First published at Praxis online
A Beam of Light.
Scoff, you cynics,
you observers of the here and now,
but we are only our dreams
so why shouldn’t I,
with prophets and seers,
float out of my darkened window
on a beam of pure light,
soaring high above the swamp and desert
to see, just over the horizon,
a new world rising out of the dark,
that one where justice descends
like the morning dew,
swords are beaten into ploughshares
and peace, like a mantle,
covers the glistening earth.
First published at One Sentence Poetry
Turned and Gone Away.
This one explores a complex kind of sadness. I suppose it is a lament.
Turned and Gone Away.
For my loved sister, Jean.
Your house,
gripped by flood,
floats from its foundations,
sinking ever lower.
You sit on the roof.
I cry out to you,
swim, throw a rope,
beg you to leave
but you can only wring your hands,
turn and float away.
Small and diminished,
you tremble before a precipice
filled with darkness.
I cry out that I understand
your fears of age,
diminished powers, loneliness,
the horror that shuffling dependency
may lead you into actions once unspeakable
but you can only wring your hands,
turn and step away.
In deep denial you reel
from the mirror, truth.
You close your eyes
and cover your ears.
I cry out that I understand
how time and circumstance have trapped you,
that you have grown far too old for truth,
that you need to pretend you still are
the wonderful person you once were
but you can only wring your hands,
stagger and flee away.
You shuffle
down a long corridor
in the slow and painful way
of your last years.
I cry out that I understand
how extreme age forced you
into secrets, deceptions,
and, much worse, sad betrayal
of some you so loved.
I shout I love you and forgive you
but the words echo and bounce
down the empty corridor.
You have ceased wringing your hands.
You have turned and gone away.
First published at Better Than Starbucks
One Early Morning.
Here is one of my early poems, written when I was about 23.
One Early Morning.
I lie on a large sandstone platform
beneath blue, cloud-flecked sky.
The air is full of cicada song.
The gorge drops steeply away,
past boulders, bright flowers in yellow and red,
smooth, pink barked apple gums,
soar and crack of whipbird.
I know at the bottom
yabbies scurry in clear pools,
fairy wrens flit in dappled shade
and water gurgles and ripples
around green mossy rocks.
Somewhere else, a world away, is a snarl of traffic.
Somewhere else someone blasts their horn.
Somewhere else someone yells abuse.
Somewhere else someone in a suit plots and schemes.
Somewhere else crowds of commuters in dim half-life
sit in trains, eyes blank, faces dully impassive.
Somewhere else pedestrians stand at lights, resigned to the day.
I look across to the other ridge.
The land rises in quick steep climb,
all wind and trees and movement.
As a cicada sheds its exoskeleton
I want to shrug off the past,
let the wind carry away
the relentless search for identity,
the realisation of personal limitation,
misjudgment, mistakes and failures.
I want something better, all-consuming,
beyond the pettiness and triviality
of what we call “ambition”
but for now, for this moment,
I am almost content to lie on this rock
listening to the throbbing ecstasy of cicada song,
watching the scud of cloud and sway of branch,
dreaming and sighing in the sun.
Published at Verse-Virtual.
One Early Morning.
I lie on a large sandstone platform
beneath blue, cloud-flecked sky.
The air is full of cicada song.
The gorge drops steeply away,
past boulders, bright flowers in yellow and red,
smooth, pink barked apple gums,
soar and crack of whipbird.
I know at the bottom
yabbies scurry in clear pools,
fairy wrens flit in dappled shade
and water gurgles and ripples
around green mossy rocks.
Somewhere else, a world away, is a snarl of traffic.
Somewhere else someone blasts their horn.
Somewhere else someone yells abuse.
Somewhere else someone in a suit plots and schemes.
Somewhere else crowds of commuters in dim half-life
sit in trains, eyes blank, faces dully impassive.
Somewhere else pedestrians stand at lights, resigned to the day.
I look across to the other ridge.
The land rises in quick steep climb,
all wind and trees and movement.
As a cicada sheds its exoskeleton
I want to shrug off the past,
let the wind carry away
the relentless search for identity,
the realisation of personal limitation,
misjudgment, mistakes and failures.
I want something better, all-consuming,
beyond the pettiness and triviality
of what we call “ambition”
but for now, for this moment,
I am almost content to lie on this rock
listening to the throbbing ecstasy of cicada song,
watching the scud of cloud and sway of branch,
dreaming and sighing in the sun.
Published at Verse-Virtual.
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| Me, about the time I wrote this poem. |
Sunday, 29 October 2017
Autumn Day
Autumn Day
In this part of her southern kingdom
she slips in quietly, pre-dawn,
opening windows,
letting the heat of summer seep away.
A thin mist hovers briefly on the river,
then lifts into the still sky.
On the mirrored surface
the smooth, white trunked water gums
hang upside down in sky
blue from horizon to horizon.
The day shortens.
Westwards, the distant mountains,
blue by day, darken to purple.
Above them, briefly,
a swathe of orange.
Above that the indigo sky
and the Evening Star.
Then the orange dims
and black, velvet night,
diamond studded, descends
over the quiet and cooling earth.
Published in “The Weekly Avocet”
Wednesday, 25 October 2017
beauty
beauty
where surge meets sand
sun touches sea
and light in column slants
where wagtail fidgets
swordfish surges
and silver fox leaps in snow
where green shoots curl
dappled profusion grows
and the mountain ash touches the sky
where pen strokes page
brush the canvas
and songs in cadence rise
where palm meets palm
mind meets mind
and hearts in union beat
where responsive spirits
seek high ideals
and transcendent beauty grows
Published at Peacock Journal as author’s statement about beauty
The Transcendent Tide
The Transcendant Tide.
The current sweeps us
past laugh and splash
of free running water,
falls that shout and plunge,
red poppy fields,
green pendant droop of willows,
curving bends, lazy meander
to finally, in the distance,
the still dark sea.
Remember, long ago,
before the river grew mighty,
how in the morning song-birds
flitted through the sparkling air.
Somehow, wonderfully,
you floated by,
I reached out, felt your hand
and it closed on mine.
Why? The body’s desire?
The mind’s fear of loneliness?
A beauty of need,
to love and be loved?
Who can tell, but every day
sunlight caressed the waves
and every night the current filled
with silken sheen from moon and star.
So what if we are still swept
towards the rumbling confluence
where river protests to meet sea.
A lifetime ago I surrendered to you
and your tide consumed me,
took me way out beyond
sheltered cove or stagnant stillness,
deep, deep into a trackless wonder,
into mighty waves of beauty and joy,
deep troughs of compassion
for heartache and pain,
a pure, sublime tide far beyond self.
There I have dwelt.
There, in wonder and surrender,
I willingly sink and drown.
First published at Peacock Journal
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